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Last Supper Keeps Swelling

最后的晚餐 有增無減

The Last Supper. The final time that the apostles shared a meal with Jesus. They gathered together, listened to a sermon and really chowed down. At least if you believe more modern depictions. Because over the past thousand years, the portion size of the food shown in paintings of the Last Supper has grown larger. That finding, by researchers and brothers Brian and Craig Wansink, is dished up in the International Journal of Obesity. Brian studies eating habits at Cornell, while Craig is a religion professor at Virginia Wesleyan. Which puts them at the head of the table for this research effort.

《最后的晚餐》描述了耶穌與其信徒相聚共進的最后一餐的情景。耶穌的十二信徒齊聚一堂,聆聽圣言,然后便是大快朵頤?!辽俑鶕?jù)現(xiàn)代繪畫上描繪的情形,你會相信他們理當如此。因為在過去的一千年中,以《最后的晚餐》為題材的繪畫中食物卻變得越來越多。這一研究結(jié)果是由萬辛克兄弟——研究員布賴恩?萬辛克和克雷格?萬辛克——發(fā)現(xiàn)的,研究結(jié)果刊登在《國際肥胖雜志》上。布賴恩在康奈爾大學研究飲食習慣,而克雷格是弗吉尼亞州衛(wèi)斯理學院的宗教學教授。這使得兩兄弟成為這項研究工作的項目帶頭人。

Da Vinci's is the most well known Last Supper, but it's joined by more than 50 other noteworthy interpretations produced in the last millennium. The guest list remains the same in the various paintings, and the people stay lithe. But the Wansinks measured the portion sizes in 52 Last Suppers, and found that the bread was 23 percent bigger in more modern paintings, while the entrees grew a whopping 70 percent. As measured against a constant: the apostles' heads. So the trend toward larger portions may have started centuries ago, culminating with the modern, supersized supper, last or otherwise.

在以《最后的晚餐》為名的畫作當中,要數(shù)達芬奇的最為知名。但在過去的千年間,還有50多幅闡述“最后的晚餐”這一主題的畫作值得關(guān)注。在諸多畫作中,展現(xiàn)的人物一直是那幾位,人物形象也刻畫得十分柔美。但萬辛克兄弟對52幅《最后的晚餐》當中的食物份量進行了測定,發(fā)現(xiàn)現(xiàn)代畫作當中的面包比早期的大了23%,主菜份量的增長幅度更是高達70%。而衡量的標準則是——信徒們頭部的大小。據(jù)此可知,或許早在數(shù)百年前,食物份量增大的趨勢就已開始,而以現(xiàn)代的超大份量晚餐達到登峰造極的程度。當然,這種食物份量增大的趨勢也許還將持續(xù)下去,或者另有辦法來豐富餐桌。

-Karen Hopkin

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